We are a miraculous mess and that is the only way we can be

Abstract

This article introduces the second issue of Stolen Tools by exploring the concept of the love and ‘the erotic’ as described by Audre Lorde. The erotic is a deep, non-rational life force rooted in creativity, self-knowledge, and authentic emotional connections. The erotic embraces a chaotic plurality of identities; creative, free and authentic expression; and meaningful, nurturing solidarity. It is crucial for resisting racial oppression and something that Stolen Tools aspires to, even in the face of institutional and personal blocks. The second half of this piece presents the papers that constitute this issue and build on its theme. The papers in this issue include fictional stories and a poem exploring the complexities of identity, resilience, and racism, as well as articles analysing the limitations of equality, diversity, and inclusion initiatives in academic and clinical settings. Thank you to everyone who worked on and contributed to this issue including Ricardo Twumasi, Gabi Nieuwoudt, Rubbia Ali, and Hannah Abdalla. Particular thanks to Ebony Burke, who has been seconded from the King’s College London Library and Collections to support our project and is indicative of the creative institutional support that we survive on. I dedicate this issue to my daughter Nika, who inspired the opening article and is one year old at the time of writing.